Top Ten Publishing Myths by Erin Brown

 

  1. Editors and agents aren’t looking for great writing anymore … it’s all about the almighty dollar.
  1. Self-publishing will make an author a bestseller.
  1. “I don’t need an agent.” 
  1. Publishers take care of all of your marketing and publicity.
  1. Talented authors get huge advances.
  1. Editors will be able to devote most of their time to your book. 
  1. An author should never give up on the submission process, no matter how long it takes.
  1. All published authors should expect to hit a bestseller list or their publishers have failed.
  1. The bigger the agent, the better.
  1. Once your book is sold, you can give up your day job.

Erin Brown worked as an editor in New York City for over eight years. She recently left Manhattan to start her own freelance editorial business. To learn more about Erin, visit her website at www.erinedits.com

Read the full article here:
AuthorMagazine.org – an on-line magazine for writers and readers….

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ReadWave Launch Widget for Author Promotion

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ReadWave has just announced the launch of a new reading widget, that aims to revolutionize the way that stories are shared and authors promote themselves online. The widget allows bloggers and website owners to embed stories online in a compact form.

An example of the ReadWave Widget can be found at

www.readwave.com/widget.

The ReadWave widget is the first reading widget to allow readers to “follow” the writer. When a reader follows a writer they are added to the writer’s fanbase and can receive updates on all of the writer’s future stories. The widget is designed specifically to help writers build up a fanbase and grow their readership online. The widget is also the first to be directly integrated with Facebook, so that content is automatically shared via social media.

Raoul Tawadey, CEO of ReadWave commented, “The ReadWave widget doesn’t simply provide the technology for embedding stories online, it also provides a legal framework for re-posting other people’s content within the bounds of copyright law. Every day, millions of indie writers post up their creative writing for free on their personal websites with the aim of attracting as many readers as possible. Currently other website owners can’t repost those stories due to copyright law. Our widget eliminates this copyright problem, and enables anyone to post your story anywhere without limits, and it does so in a way that ensures the original writer is reaping the rewards.”

Existing widgets use a predefined page size, so when the widget is made smaller the text is made smaller. The ReadWave widget is the first reading widget where the width and height are fully customizable and the text automatically adjusts itself to fit the space available.

“The ReadWave widget is great news for website owners,” says ReadWave’s Chief Technology Officer, Simon Van Blerk. “Rather than linking to someone else’s website, the ReadWave widget allows you to keep traffic on your own website. This means website owners can retain visitors and keep them engaged for longer.”

Contact:

Rob Tucker

submissions@readwave.com

www.readwave.com

www.facebook.com/readwave

www.twitter.com/readwave

About ReadWave

ReadWave is a community of readers and writers who love to discover and share new stories from contemporary writers. Readers can access thousands of stories and read them for free on mobile or desktop. Writers can use ReadWave to build up a fanbase and market their stories online. ReadWave puts writers in touch with the readers who are just right for them.

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D.J. Swykert

D.J.  Swykert’s short fiction and poetry have been published in The Tampa Review, Monarch Review, Sand Canyon Review, Zodiac Review, Scissors and Spackle, spittoon, Barbaric Yawp and BULL. His novel, Maggie Elizabeth Harrington, won a literary competition with The LitWest Group in Los Angeles in 2002.  Alpha Wolves, D.J.’s Noble Publishing’s bestselling novel, was released in April, 2012.  Children of the Enemy, D.J.’s OmniLit’s bestselling novel, was published for the first time in 2009 and a third edition published in September 2012 by Cambridge Books.

Hi D.J., Please tell everyone a bit about yourself.

David SiguertD.J.: I’m a blue collar person from Detroit. I’ve worked as a truck driver, dispatcher, logistics analyst, operations manager, and ten years as a 911 operator, which was the very best job of all of them. I write stories like you’d watch a movie and put them down on paper. I have written in different genres; crime, romance, and even a little bit in literary fiction. The last sentence in my writing bio is always: He is a wolf expert. I am not a biologist. I raised two arctic hybrids, had them for eleven years, and have written two books in which they join the other protagonists.

When did the writing bug bite, and in what genre(s)?

D.J.: The first thing I ever wrote was a poem to impress my art student girlfriend. That was right after high school. It wasn’t very good, but she was impressed with my effort. I’ve been scribbling things ever since.

When you started writing, what goals did you want to accomplish? Is there a message you want readers to grasp?

D.J.: I’ve always wanted a career that I enjoyed. I looked at writing as a possible means to that end. I’ve had some small success, enough to be encouraging, but I’ve always worked for a living. If there’s a central theme to my writing it’s that all life has value. My characters tend to question norms. I tend to question what is considered normal. I like animals, I have empathy for the hardships they endure and my protagonists usually do as well.

Briefly tell us about your latest book. Is it part of a series or stand-alone?

TheDeathOfAnyoneD.J.: The Death of Anyone is essentially a mystery/suspense story with romance and a little science in it. The story centers on homicide detective Bonnie Benham’s search for the killer of young girls.

This book has a couple of the same characters from an earlier unpublished novel I hold the rights to titled Sweat Street, but I wouldn’t consider it a sequel. If I have some success with The Death of Anyone I may look to publish the first book. And perhaps consider another story with Detective Bonnie Benham. This is not the first time I’ve written from a female POV, but it’s the first time for a female police detective.

What’s the hook for the book?

D.J.: The book introduces readers to a DNA search technique not in common use here in the U.S., Familial DNA. A lot will be written on this subject as the real life trial of Lonnie David Franklin, The Grim Sleeper unfolds in California this year. The trial will set precedence for future use of this DNA search technique and I suspect will eventually lead to a Supreme Court decision on it’s admissibility as evidence. The defense is going to severely question LAPD investigating Lonnie Franklin in the first place as there was no direct evidence linking him to the crime.

How do you develop characters? Setting?

D.J.: They say write what you know, so I set my story in Detroit, where I grew up and lived for a long time and can authentically describe the city and places for the scenes in my story. When I make up a character I usually visualize someone in my head and then give them the characteristics I believe suits the character in my story. I wrote a story about a thirteen year old girl trying to save a pack of young wolves from a bounty hunter. In my mind I visualized Maggie Harrington as Jodie Foster in an old film, Taxi Driver, where she played a thirteen year old prostitute. I used Jodie’s image to describe the girl and my own feelings for animals to impart her emotions concerning the wolves. This is how I generally develop a character.

Who’s the most unusual/most likeable character?

D.J.: I think Bonnie Benham is both unusual and likeable. She was originally in narcotics, but washed out. In her own words she became more “narcotic” than “narc.” As she investigates the murders of adolescent girls she is trying to resurrect herself as well as seek justice for the victims. This makes Bonnie a very edgy homicide cop. The story contains several suspects who are both likeable and unlikeable.

Do you have specific techniques to help you maintain the course of the plot?

D.J.: I’m a ponderer.  I do a lot of thinking about my character and the story in my head before I begin to write. I usually have figured out how I wish to end the story. When I begin to write I put my character into a situation and from there the chapters all point towards the ending. It doesn’t always work out quite as simply as this sounds, but this is how I begin.

Do you have a specific writing style? Preferred POV?

D.J.: I think my best writing is in first person. But The Death of Anyone and Children of the Enemy are in third person past tense, which most readers I think prefer. First person works good as a narrative for a strong character in a short book, but since it can only get into the one character’s head it can get a bit tedious.

How does your environment/upbringing color your writing?

D.J.: I grew up in Detroit, so, for crime or mystery stories I’ve set them in Detroit, which unfortunately has held the Murder Capital of the World title several times. I have also written stories set in Michigan’s Upper Peninsula, where I lived on the Keweenaw Peninsula for a decade. Love it up there, a true wilderness much like Alaska only with smaller mountains. But the winter is extremely long, turbulent and prohibitive.

Share the best review (or a portion) that you’ve ever had.

D.J.: I liked this review left on Amazon:

The Death of Anyone by David Swykert, reads like a Jessie Stone movie, was a true page turner for me. His subject is close to our hearts and the viewpoint is an eye opener. He has interwoven the personal problems of some of his Characters making them real. He also has a flair for writing some romantic scenes that most ladies will find endearing. If you enjoy a mystery, some anxiety and a little romance I would recommend you read The Death of Anyone.

What are your current projects?

D.J.: I have an offbeat/quirky romantic tale titled The Pool Boy’s Beatitude. The book will publish this summer by a small Indie press out of Detroit, Rebel e Publishing. They do have a book distributor and a small print run will be done. It’s the story of an alcoholic physicist who drops out and is cleaning swimming pools to earn a living, skimming what he refers to as the “Infinite Pond.” The story follows the human orbit of Jack Joseph and his trail of broken relationships until he ultimately lands himself in a county jail.

Where can folks learn more about your books and events?

D.J.: I have a page on an artistic collective called: www.magicmasterminds.com You can find information about my work, and me on the site, and see a host of other amazing artists, musicians and writers.

Thanks for joining us today, D.J.!

D.J.: Thanks so much for the opportunity.

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Press Release: Bend Me, Shape Me

New Libri Press announces publication of the second Street Stories suspense novel, Bend Me, Shape Me, by author Debra R. Borys, available in ebook with trade paperback to follow. Contact Stasa Fritz (above) with review or interview requests.

www.BendMeShapeMe.net

Painted BlackBend Me, Shape Me is the second novel in the Street Stories suspense series and tells the story of Snow Ramirez, a bi-polar street kid about to turn 18. She’s convinced that psychiatrist Mordechai Levinson is responsible for one kid’s suicide, and may be targeting her brother Alley as his next victim. Once again, reporter Jo Sullivan finds herself the only person willing to listen to one of Chicago’s throwaway youth.

Snow Ramirez hasn’t trusted anyone in a very long time, not even herself. Memories of her childhood on Washington’s Yakama Reservation haunt her even on the streets of Chicago.

When her squat mate Blitz slits his own throat in front of her, she knows it’s time to convince someone to trust her instincts. Blitz may have been diagnosed bi-polar, like Snow herself, but no way would he have offed himself like that if the shrink he’d been seeing hadn’t bent his mind completely out of shape.

Normally she wouldn’t care. Who wasn’t crazy in one way or another in this messed up world? After all, she’d gotten out from under the doctor’s thumb weeks ago and it was too late for Blitz now, wasn’t it? Snow’s little brother Alley, though, there might still be time to save him. If only she can get reporter Jo Sullivan to believe her story before Snow loses her own mind.

EXCERPT:

Squatting with her arms tight around her legs and forehead pressed to her knees, Snow rocked on the balls of her feet. To the south, the hum of traffic along the Eisenhower Expressway. Nearer, beneath the dumpster, the scurry of rats looking for supper. That feeling in her center, the one she couldn’t describe except to say when she was a kid she thought it meant she was going to die, tightened her chest, filled her mouth, made it hard to breathe. “You must learn to trust,” the shrink had told her. “You must learn who to trust. Your brother is learning that, even if you can’t.”

AUTHOR BIO

Debra BorysDebra R. Borys is the author of the STREET STORIES suspense novels.The first book in the series, Painted Black, was published by New Libri Press in 2012. A freelance writer and editor, she spent four years volunteering with Emmaus Ministries and the Night Ministry in Chicago, and eight years doing similar work at Teen Feed, New Horizons and Street Links in Seattle. The STREET STORIES series reflects the reality of throw away youth striving to survive. Her publication credits include short fiction in Red Herring Mystery Magazine, Downstate Story and City Slab.

deb@debra-r-borys.com
www.debra-r-borys.com/

Praise for PAINTED BLACK

“Painted Black is about the young faces we see on the streets, covered in dirt, wearing worn out clothes, shrouded in looks of hate, pride, and fear…. There isn’t a part of this book you don’t feel, it reaches into your core…. There are many enjoyable books out there, but there aren’t many that make you feel, make you think, make you sit back and contemplate the uglier side of life we try so hard to ignore its existence. This was a very well written book on all accounts.”
—Darian Wilk, author of Love Unfinished and Reinventing Claire

“Painted Black has a Silence of the Lamb’s feeling about it…..there’s something dark and ominous going on here.…. Fiction can be a great vehicle for exposing the darker side of the human experience in ways that are both important and meaningful and I think that Painted Black fits into this category.”
—Quinn Barrett, Wise Bear Books All Things Digital Media interviewer

“Borys gives us a glimpse into the vagaries of street life for teens without wallowing in sentimentality or false compassion. The mystery here is not who did it, but how finding the truth will change the life of a street kid we’ve come to care about.”
—Latham Shinder, author of The Graffiti Sculptor and professional memoir ghostwriter

New Libri Press | http://www.NewLibri.com

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Larry Constantine

Larry Constantine is  a professional member of the Science Fiction and Fantasy Writers of America and the author of a number of science fiction short stories. He writes thrillers under the pen name, Lior Samson.

Please tell everyone a bit about yourself.

Larry ConstantineLarry: The older you get, the harder it is to be brief, to condense the lifetime journey into a paragraph or two in a biographical sketch. In your twenties, you pad the resume; by your forties, the thing stands on its own; by the time you are looking back at your sixties, radical compression and redaction are in order. What’s important, what irrelevant? What’s of interest? What is a boring distraction? I tell my students at the university where I teach that I am not a real professor but that I am a real industrial designer. Both parts are true — in part. What they reveal is a complexity hidden behind brevity. I have been a pioneer in software engineering, in family therapy, and in interaction design. I divide my time between Europe and the US. I am deeply entrenched in academia and in industry and fully belong in neither. I am a novelist. I write under a pen name, but my official identity is no secret. I do most of my writing evenings and weekends in my apartment near the University of Madeira. My loving wife and kids put up with my long absences. I love to cook. I am a composer and would write more music if I were not so busy writing novels.

When did the writing bug bite, and in what genre(s)?

Larry: I have been writing professionally all my adult life, but nearly all of that was technical non-fiction. I was good at it — even won awards — but I can’t say I enjoyed it all that much. I really started writing with passion and pleasure when I began work on my first novel, Bashert. I have never been one to color within the lines, so, although my novels are nominally in the thriller genre, they frequently break out of the boundaries of genre conventions. My forays into fiction actually began decades earlier with science fiction short stories and a couple of novellas. Those earlier works have been republished in Requisite Variety, which takes its title from my last published SF short. My recent novel, The Rosen Singularity, might nominally be called near-future science fiction, but it violates the terms of engagement that SF readers expect and is probably more literary thriller than SF.

Is there a message you want readers to grasp?

Larry: If I had wanted to be a preacher or rabbi, a long-form journalist or a self-help guru with a message, I would have taken a different path. So, no, I don’t have a message for readers. But I do have a mission. I want to challenge my readers, to get them thinking, to leave behind semantic seeds that grow into fresh inspiration and insight. Thoughtful thrillers, provocative page-turners, intelligent intrigue—these are among the phrases that have been used to describe my novels. I want to raise questions more than offer answers. What is the nature of extremism and its connection with terrorism? Who are the good guys and who the bad in a world of shadow and deception? What are the unintended consequences of medical advances? And I want readers to have a great time and a grand ride on the road to the last page.

Briefly tell us about your latest book. Is it part of a series or stand-alone?

ChipsetLarry: My most recent novel is Chipset, which is both part of The Homeland Connection series and can be read on its own. Readers who missed the first three novels — Bashert, The Dome, and Web Game — will not be lost, but those who go back and catch up will be doubly rewarded.

Like its predecessors, the story turns on a real threat, in this case malicious computer code actually embedded in the very hardware on which the entire world now depends. Like the other novels, it centers on ordinary people thrust into extraordinary circumstances, not superheroes or larger-than-life figures, but people you could know dealing with outsized challenges. Let’s just say that Karl Lustig, an American technology journalist, and his British-Israeli wife, Shira Markham, a jewelry designer and all around smart lady, are in for an adventurous holiday when Karl uncovers a secret within the computer chipsets he is delivering to colleagues at the University of Madeira.

Who’s the most unusual/most likeable character?

Larry: I really like all my characters, even the bad guys and walk-on players are lovingly crafted. In Chipset, I have to admit to having developed a special affection for Karl’s mother, whose story-within-a-story in a packet of letters takes Karl back to World War II Poland, Germany, Portugal, and England. She was an amazingly resourceful lady, as Karl finds out.

Do you have specific techniques to help you maintain the course of the plot?

Larry: Perhaps it is the influence of my career as a designer, but I write much as a portrait artist paints, moving from one place in the canvas to another, filling in details here, sketching broadly there, painting over something that doesn’t look right one place, adding an element for balance someplace else. I make lots of notes but do not work from a strict outline. Instead, just as the painter steps back from the canvas, I keep going back and approaching the work as a whole, as a reader, taking on the perspective of the reader’s experience. Does it hang together? Is the pace and rhythm satisfying and engaging? Are there holes or is too much given away or at the wrong time? Then I go back and rewrite. And revise. And rewrite.

Do you have a specific writing style? Preferred POV?

Larry: Every writer, even those who mimic others, has a writing style. In my case, I confess to writing in a fashion that echoes not some particular writer or writers but broadly fits the sort of writing I like to read. I enjoy reading rich description, insightful exposition, and colorful, clever narrative. I like hearing the voice of the writer as well as of the characters. I enjoy the poetry of language, the music of well-crafted sentences, and the rhythm of flowing paragraphs. These are the things I aspire to. Others will judge how well I reach those aspirations. In any case, I strive for something more classical than contemporary, despite the thematic currency of my thrillers.

And while we are on the subject of style, if I read one more self-appointed expert blogger cajoling modern writers to “show not tell,” I am likely to reach violently through the screen with malicious intent. It’s called storytelling for a reason. The language has adjectives and adverbs for good reason. The passive voice is useful. I see it as the writer’s job to master and use it all.

I have always favored third-person POV because of its flexibility, but I have no religious orthodoxy about acceptable incursions into the inner thoughts of characters. I am more interested in spinning a good story than purity of viewpoint. I try not to throw readers for a loop as I take them around curves and through twists, but I am not writing to please some professor of creative writing. I am telling stories.

How does your environment/upbringing color your writing?

Larry: My environment and upbringing are as different as land and sea, but I suppose both have colored my writing. From my growing up, I would have to credit my mother, a newspaper columnist and editor, for instilling in me a love of words and a healthy respect for the craft of writing, in which it has taken me a lifetime to develop some craftsmanship. But my environment, which spans the globe and washes me with life’s complexities, is far the more direct influence. I often use familiar places to anchor my fiction. The Rosen Singularity is centered in the North Shore communities of Massachusetts near my home, but also in London and outside Moscow, where I have worked and visited numerous times. Chipset is largely set in Madeira, my second home. But I also go far afield, as far as the wholly invented African country of Busanyu, where the long lived dictator Edgar Jabari Mbutsu rules with brutal efficiency and plays a pivotal role in The Rosen Singularity.

Share the best review (or a portion) that you’ve ever had.

Larry: 

“Few thriller writers can match Samson’s ability to deliver a gripping story. In previous reviews, I have compared him to John le Carré and Tom Clancy. As an Indie writer, he probably doesn’t have the same name recognition or sales, but he is equal to or better than both those authors. His work deserves to be on the New York Times Seller list.” That from mystery writer James A. Anderson.  More than I deserve, I am sure, but to soar in such celebrated company, even for a paragraph, is delicious.

What are your current projects?

Larry: I like that you end this question with a plural, because I have two novels in progress. I imagine that writers are not supposed to do that, but there it is, the confessed truth. I am just not ready to commit fully to one or the other. Both are quite daring, in a sense, and each represents an entirely new literary direction for me. The one that has the tightest grip on me at the moment is my first murder mystery, although, as with my other works, it jumps the genre gaps and might be thought of as a love story except … Well, it’s still in progress, so exactly what it is remains an open question. Literary fiction? The other novel, which is also well under way but temporarily simmering on a back burner, is a work of quiet terror. So maybe it’s horror, except… These novels are quite experimental, stories that defy expectations and take the reader in new directions. I am excited. And scared.

Where can folks learn more about your books and events?

Larry: My author page at Amazon.com/Amazon.co.uk is the best jumping off point. And it makes it easy to purchase the books with One-Click!

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Anna Dagmara Cameron

Anna Cameron has always had a passion for writing.  She wrote her first novel, The Crest,  in 2008 and publishes her books under the pen name, A. Dagmara.

Hi Anna, please tell everyone a little about yourself.

Anna: I am thirty-five years old, married with children.  I have over fifteen years experience within the business community as a jack-of-all-trades.  Originally born in Poland, my family fled to Austria when I was four years old. The climate in Poland at the time, sadly, was volatile during the Union strikes. My family, consisting of my mother, father, and younger sister, lived in Austria for about six months until we were granted asylum in the United States. We immediately settled in the State of Maryland, where I currently reside with my Husband and children.  My family have moved back to Poland in recent years.

My life thus far has been an amazing journey. I consider myself more than just a survivor, a firm believer in truly living life. I was a young single mother who eventually married her high school sweetheart, followed by the birth of a second child, who unfortunately passed away at a young age. My eldest daughter and I bonded further than just a mother and child from that moment on. We grieved, mourned, and got through it together.  Now, at sixteen, she and I find courage and inspiration through each other.

When did the writing bug bite, and in what genre(s)?

Anna: The writing bug never really bit me, as I had been writing short stories and tales of woe since I was about ten.  By fate, and after reading a few books leaving me disappointed and frustrated with some of the story lines, possibly by their pace, I found inspiration to write what I would have preferred to read. During a stint of being ill with pneumonia, inspiration hit. Three weeks of fevers, lethargy, and bed rest, I wrote The Crest.  The intention to publish never occurred to me.  It was when I moved three years later, and my current husband picked up the dusty manuscript without my knowledge.  He read the manuscript and loved it immediately, suggesting I set a goal to one day publish.  I entertained him, stating that I would one day, simply to stop pushing the subject, never truly intending to publish.  Both embarrassment and lack of confidence hit me hard when I reminded myself what I had written in the first manuscript.  See, the genre in which The Crest falls under is an Adult Paranormal Romance, Erotica. Needless to say, I was a bit modest to the writing, or more like some of the scenes in the book.  Being my husband, I was insecure about how he would perceive me for writing about such an intimate subject.  Over a year ago, he decided that I needed to do this.  Revisiting the manuscript, I spent another four months re-reading it and altering it.  Since that time, I was so entrenched in the story I wrote two more books to follow it up.  I guess you could say I fell in love with my own characters.

When you started writing, what goals did you want to accomplish?  Is there a message you want readers to grasp?

Anna: When I decided that I wanted to share my stories, the first thing I hoped for was that there were more readers, such as myself, that are annoyed with the pace of the average romance novel.  In real life, we don’t wait until we know we love the person to dive into all that leads us there.  Relationships are not a cookie cutter from each person, so why are most of romance novels?  Yes, their plots all vary, but the pace and structure of the romance between characters are not.  Personally, I’ve read over four hundred book alone in the past year and a half, and only a handful were against the grain. I wanted to have a “reality” approach. Perhaps I’m going against the grain and many do enjoy the long, and drawn out pace.  I also felt that I didn’t want to be predictable when it came to the development and story of my characters.

Briefly tell us about your latest book. Is it part of a series or stand-alone?

Anna: My most recent book is Holt’s Holding, due to be published in January 2013. This novel was intended to be a stand alone, until many of my trusted “beta readers” insisted on a sequel to the story. More than happy to oblige, I planned for a second book. Holt’s Holding, is very closely related to many of my experiences living in Maryland, though very fictionalized.  The Plot of this story is varied with a huge twist three fourths of the way into the book.  The main Character, Lillian Holt, is in her mid twenties.  Lillian, the only survivor to a house fire that took her family, finds herself amidst a corporate takeover of her father’s company, which has been safeguarded until her twenty fifth birthday.  Having known this day would come, she had spent seven years preparing and plotting her revenge.  Perfectly positioned, she falls in love, only to have her heart broken.  Her story is of survival and perseverance, as she learns that life is about living not plotting.  A preview of Chapter one is available on the website: www.adagmara.com

What’s the hook for the book?

Anna: The biggest hook to the story is Lillian Holt herself. Not all is as it appears to be. She is what most woman want to be, strong independent and driven.  However, like most of us, she’s flawed and has a lot of unwanted baggage. The development of her character leads into a world of underlying secrets and twists, sure to keep the attention of a reader.  Her strength is one of inspiration and her inner turmoil is emotional heart gripping.

How do you develop characters? Setting?

Anna: Most of my characters are inspired by actual people, events, and conversations – mostly conversations. However, my settings along with plot are inspired from dreams. The Crest, my first novel, was completely inspired by a dream. My daughter’s tenacity, humor, and strength inspired the main character. Though the character differs from her, it was my daughter’s nature that I modeled the main character after. I wanted to highlight those qualities within my characters and strive to do so.

Who’s the most unusual/most likeable character?

Anna: In The Crest, my most likable character is Kurt.  He is a sudo, brother, and the main character’s best friend. He has known her since birth and kept watch over her. Being level headed and caring, he truly would do anything for her. As his character evolves through the story, it is easy to see how and why most of my readers fall in love with him. He is the good guy next door!

The most unusual character is Skylar, dark mysterious, not to mention the bad guy. In the second book in the series readers learns so much more about him and his motives, they won’t know whether or not they want to torture him or hug him.  He’s my loveable monster, so to speak.

Do you have specific techniques to help you maintain the course of the plot?

Anna: When writing, I typically find myself writing an outline; however, almost always straying away from it. I also keep a separate file on each character – their description down to how I want them to develop through the story.  Initially, when I first wrote The Crest, I went by nothing and just wrote it as it came. Not the best way to write, but amazingly, it worked. My writing and techniques, with time and practice, are ever evolving.  I’m not shy about calling myself a young writer, and even revel in it.

What are your current projects?

Anna: My Current project is the last book in the Guardians of the Realm series, The Gates. This story gives the reader an insight into the “Tri–Fecta”, by giving her a voice. Through the first two books, she has no voice, and the opinion of her is less than favorable. The Gates brings us to the conclusion of the search and epic journey, safeguarding the Realms.

I am also finishing up the second book in the Holt’s series, Holt’s Vaihn.  The second book answers many of the questions left unanswered and is set in New York City.

Where can folks learn more about your books and events?

Anna: To learn more about my latest projects and upcoming events, readers can stop by my website: www.adagmara.com or find my author page on Facebook.

On my website, I offer previews of my books and latest projects, as well as encourage those to follow or participate in my blogs. In my blogs, I share with my viewers my current reads and thoughts. I’m a huge fan of books and emerging authors. Some of the best stories I’ve read were written by authors who could not get published traditionally.  They are my courage and should be respected for the time and work it takes to get our stories out there.  Happy Reading!

Thanks for joining us today, Anna.

Anna: Thank you for the opportunity.

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Norene M. Moskalski

Dr. Norene M. Moskalski writes about the intrigues and perils of university life. She strives for authenticity in her writing by visiting and researching all of the international places and university settings that she describes in her novels. Each novel presents a variation on a theme, using literary techniques and musical innuendos to move the action forward. Her plots revolve around the unexpected: what if the most beautiful things in the world turned out to be the most dangerous? Iridescent bubbles of sea foam – what exactly is sea foam? Your best friend next door – what does she actually do for a living?

Tell everyone a little about yourself, Norene.

Norene: I enjoy walking the beaches of the Delaware Bay and the Atlantic Ocean, collecting sea glass, minerals, unusual shells, and artifacts from colonial shipwrecks. A naturalist and environmentalist by nature, and a medical diagnostician by avocation, I have a Ph.D.  in University Administration from Penn State University, a Master’s Degree in English from the University of Pittsburgh, and a Bachelor’s Degree in English from Slippery Rock University. I’ve presented my peer-reviewed, published research on faculty work at international business and engineering conferences, and served as administrator, professor, researcher, grant writer, and mentor at research universities for over fifteen years. I am a member of various writing and environmental organizations, such as The Eastern Shore Writers Association, The Nature Conservancy, The Sierra Club, The Chesapeake Bay Foundation, The Partnership for the Delaware Estuary, The National Wildlife Federation, and The Smithsonian Institute.

When did the writing bug bite, and in what genre(s)?

Norene: I fell in love with the idea of writing a novel in elementary school when my English teacher taught us how to recognize the literary elements in the book she assigned for our class to read. The hunt began! After that experience, reading novels held a whole new dimension for me, not only reading for enjoyment but analyzing how skillfully the author used those techniques. When I became an English teacher, I realized we needed more contemporary novels suitable for classroom use that held the students’ attention while they learned how to analyze a novel. I often thought, “I really ought to try writing one,” but as a working Mom, my time constraints were prohibitive. Once the children were grown and off on their own, though, I began writing in earnest.

When you started writing, what goals did you want to accomplish?

Norene: My goals for writing during my professional career very much depended upon the current task, whether writing a successful grant proposal or a doctoral dissertation.  My goals for writing fiction are very different: I seek enjoyment in wordsmithing, peace in passing on life’s lessons, and inspiration from God.

Is there a message you want readers to grasp?

Norene: Each novel I write in the Kate and Jake Connors Series will examine critical contemporary issues through multiple perspectives. I want my readers to understand that there are many variables in life that affect a person’s decisions to act the way they do.

Briefly tell us about your latest book. Is it part of a series or stand-alone?

Norene: The Kate and Jake Connors series begins with Nocturne, Opus 1: Sea Foam, an international eco-thriller. Kate and Jake are university research professors at Atlantic University’s Institute for Public Policy and Safety in Dover, Delaware. They are also covert operatives for a secret, scientific subdivision of the Institute known only as the Agency. While vacationing at Venice’s Lido Beach, they witness the collapse of Kate’s sister on a sea foam covered beach. Her illness propels them into a seventy-two hour race against time and across continents to find the cure for Bacillus nocturne, the rogue scientist who created it, and to stop the bacteria from contaminating the world’s aquifers.

How do you draw your characters?

Norene: I draw my characters from real-life experiences with people I have met recently or known a very long time. Usually my characters are a composite of all those intriguing personality traits people have.

How do you develop the settings in your stories?

Norene: My settings are all places I have visited and researched in order to make them as authentic to the reader as possible. I want my readers to feel like they are in the scene right beside the character.

Who’s the most unusual/most likeable character?

Norene: Kate is the most likeable character in the story because she has achieved great heights in her career, yet inside is just like everyone of us coping with life’s variables and having our own flaws.

Do you have specific techniques to help you maintain the course of the plot?

Norene: Oh, no, I wish I did! Because I write from inspiration, I often have to rearrange scenes to put them into a more exciting order. That takes considerable time because suddenly, a statement in Chapter 32 doesn’t fit the story line anymore. I’ve never been big on outlining, so I’m always looking for a way to handle this problem. A seminar that Lisa Gardner gave at ThrillerFest a few years ago helped me a great deal. I adapted it to my “flat filing system” (on the floor), and now spread out printed chapters on my office floor, moving them around to get the best order of events and to see where I need to add a few more chapters.  What fun! What a mess!

How does your environment/upbringing color your writing?

Norene: Immensely! We’re always taught to write about what we know, and I always thought that nothing really adventurous was occurring in my life, so how could I write about what I know? Now I understand–that statement really means to put what you know about in the descriptive details of your story. If you know what the sun feels like shining on your face on a very cold winter day, put that in your scene. If you’ve driven a clunker of a car driving on fumes past Empty, have a character do that. If you know about rocks and minerals, add a few to your scene details. If you love gold gemstone jewelry, wrap your character in it. It works and you get to write about some of the things you love.
Share the best review (or a portion) that you’ve ever had.

Norene:

 ”I forgot I was reading a work of fiction. The characters were so real.”

What are your current projects?

Norene: The next novel in the series and a nonfiction book about cats. Hmmmm. Maybe I can combine the two!

Where can folks learn more about your books and events?

Norene: My website is www.NoreneMoskalski.com and my publisher’s website is www.DivinityPress.com
My book is at http://www.amazon.com/Nocturne-Opus-1-Sea-Foam/dp/0988381176

Thanks for joining us today, Norene.

Norene: Thank you for the opportunity to answer your interview questions.

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